Tuesday 31 March 2015

Current Work - Pencils within Portraiture

Pencil work is both equally as beautiful in colour and black and white. Below, again linking to my current portraiture project, are some of my current pieces and some of the equipment that I use and, I personally believe, are the most effective. 

A4 Coloured Pencil Artist Research (Marion Bolognesi)
The small piece to the left is a coloured pencil piece I completed in my sketch book as part of my artist research into Marion Bolognesi. Her work is usually completed in water colour but as a medium that is like painting with smoke, I decided to interpret her art work and attempt to re-produce it using the same colour pallet but in a completely different medium. For this piece I used Derwent coloured pencils which can be bought from an good art store or can be found online.



A4 Graphite Pencil Artist Research (Marion Bolognesi)
Again, this was completed in my sketch book as part of my artist research into Marion Bolognesi. In this piece I removed the colour completely from the focus and instead created a tonal drawing focusing on dark and light and the grey-scale rather than a warm colour pallet that the reference photograph shows. This allowed me to see the change in mood by removing the colour and to perceive my work from a different perspective. This piece was completed in a Derwent sketching set which included: charcoal, graphite, graphite stick, putty rubber, sharpener, tinted charcoal, sketching pencils, and coloured sketching pencils. 

Wednesday 18 March 2015

Current Work - Portraiture

A4 Fine-liner and White Emulsion
Below I've just selected a couple of pieces of work that I've currently completed - or am nearing completion for my art course. 

The piece to the right is a full frontal fine-liner and white emulsion piece I did on A4 cardboard of my Dad. As I'm currently focusing on timelines I accentuated my Dad's wrinkles (to his dismay) through the use of cross-hatching techniques and multiple other drawing techniques. My current topic focuses on human timelines and particularly looks at the change in the human face as it grows older. 

This piece was taken from my own personal photo-shoot of my Dad and is one of many pieces that I have completed in a similar style with changes in medium, surface, size, style and inspiration. 

A3 Fine-liner 
The piece to the left is an A3 completed angular portrait of one of my sisters. I love fine-liner as a medium as I am able to select the finest (mine finest is 005) or the thickest (my thickest is Faber-Castell's Bold) to create different line styles and structures in order to create tone, highlights, the impression of marks or mark making with quick strokes of my pens. 

Again, this piece was completed from one of my personal photo-shoots of my sister for my art course. The angular pose in which I ave captured her allowed me to show my talent in 3-D effect (her nose, as an example) and proportions. 

I post all of my artwork online via my twitter account, @allanna_tagg, follow me if you would like to see more of my work. Hopefully I will soon be setting up a Facebook page for commissioned pieces of work - I have completed several commissions already which I will create a post about as soon as possible.